Cyno’s grand total expenses for the skinless longganisa is Php 400.00. 70.00?įORMULA FOR GETTING THE GAND TOTAL EXPENSES IS BY ADDING ALL THE EXPENSES.ģ. How much is the grand total of all his expenses if the raw materials/ingredients costs Php. OUTPUT DIVIDED BY THE INPUT MULTIPLIED BY 100Ģ. THE WEIGHT OF SPOILAGE/REJECT/WASTAGE DIVIDED BY THE INPUT MULTIPLIED TO 100. percentage of spoilage/reject = _%įORMULA FOR PERCENTAGE OF SPOILAGE REJECT IS He disposed the spoilage/reject/wastage of 436.5 grams his output now weighed 2100 grams, compute for the following.Ī. After weighing all the ingredients, his input weighed 2536.5 grams. Albedo is making Fish Skinless Longganisa from tilapia flesh. Directions: Analyze the statement carefully. Selling or retail price is computed by adding the mark up price to the grand total of expenses then, dividing this to the number of finished products. Get the mark up price by dividing the grand total by 20%.ĥ. The grand total of expenses is the difference of the expenses used for the raw materials/ingredients, packaging materials and the overhead expenditures.Ĥ. Get the percentage yield by dividing the output by the input then, multiply to 100.ģ. To get the percentage of actual spoilage/reject divide the total number of spoiled units by the total units produced then, multiply to 100.Ģ. Directions: Read and analyze the statement carefully. the son of Daedalus escaping from Crete by flying with wings made by Daedalus, Icarus flies so high that the sun's heat melts the wax by which his wings are fastened, and he falls to his death in the Aegean sea.WRITE YOUR ANSWER ON 1 WHOLE SHEET OF PAPER. Phaeton Son of Apollo who drove the chariot of the sun and lost control of the horses, so Zeus struck him down so that the world would not catch fire the track of the horses is the Milky Way. Tartar or Turk Tartars and Turks were the great weavers of Dante's time.Īrachne famous spinner who challenged Minerva to a spinning contest Minerva became enraged at the result of the contest and turned Arachne into a spider. The power of the language increases as the poem goes on, which Dante illustrates in later cantos. In this canto, the Usurers are described as dogs in summer, and their very nature and description is disgusting. However, the signs and symbols on the sinner's purses indicate their families.Īs the sinners' sins become more vulgar and base, the language in the poem becomes more graphic, so as to illustrate the misery of the usurers. The faces of the Usurers lack individuality because their concern with money made them lose their individuality. He does not linger among them, insisting on their names, but coolly observes them and moves on.ĭante the Poet places these sinners in dire circumstances, and tells none of their names, hiding them from Earth, making sure that none were remembered. Geryon is the mythological king of Spain who was killed by Hercules, and he was traditionally represented as having three heads and three bodies.ĭante the Pilgrim is indeed beginning to understand the true nature of sin as he confronts the Usurers, the sinners in the final round of Circle VII. Furthermore, like Fraud, his innocent face fools the onlooker long enough to be stung by his scorpion-like tail.Īgain, Dante alters the figure of a mythological creature from its traditional form (one of the poet's favorite literary devices), functioning to make Hell a place where traditional expectations may not exist. In Canto XVII, the monster Geryon symbolizes Fraud, the sin of the souls in Circle VIII. Like the beginning of the other two main sections of Hell, a familiar mythological monster rules the entrance of the particular souls in this sphere. Geryon takes off like a shot, relieved of Dante's living weight. Virgil tells Geryon to fly smoothly, which he does, and he lets the poets off at the bottom of the pit near the eighth circle. Dante is terribly afraid but mounts Geryon anyway, and before he can ask for assistance, Virgil embraces him and helps him hold on. Fearing that he has stayed too long, Dante goes back to Virgil, who is already mounted on the rump of Geryon. This group, the Usurers, tells Dante to go away and leave them alone. Dante sees no one that he knows among the group, though he seems to recognize the coat-of-arm symbols emblazoned on the purses. The poets approach him, and Virgil tells Dante to go and see the sinners in the final round of Circle VII, warning him to make his talk brief.ĭante moves around the circle alone and approaches a group of sinners whose eyes are full of tears and set on enormous purses hanging around their necks. Geryon's face is that of an innocent man, but his body is half-reptile, half-hairy beast, with a scorpion's stinger at the end of his tail. Geryon, the monster, lands on the brink of the abyss, his tail hanging over the side.
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